While Ferdinand’s formality is in some ways endearing, it is also in some ways disturbingly reminiscent of Prospero. Some of Ferdinand’s long speeches, especially the speech about Miranda’s virginity in Act IV, scene i, sound quite similar to the way Prospero speaks. Ferdinand is a sympathetic character, and his love for Miranda seems most genuine when he suddenly is able to break out of his verbose formality and show a strikingly simple interest in Miranda. The reader can see this when he asks Miranda, “What is your name?” (. 36 ). The reader notices it again in Act V, scene i when he jests with her over a game of chess, and when he tells his father, who asks whether Miranda is “the goddess that hath severed us, / And brought us together,” that “she is mortal” (. 190–191 ). Ferdinand agrees to marry Miranda in a scene in which he has been, like Caliban, hauling logs for Prospero. Unlike Caliban, however, Ferdinand has been carrying wood gladly, believing that he serves Miranda. The sweet humbleness implicit in this belief seems to shine through best at the times when Ferdinand lets go of his romantic language.