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These emotional and logical internal processes combined culminate in a spiritual illumination of human experience, exemplifying the potential of the epiphany as a craft device. The intent of achieving such an effect at the end informs every choice in both “Araby” and “The Dead,” along with the evolution of the close third person point-of-view. Without this approach, we would not be granted the clear insight into the thoughts and emotions needed to follow how the character’s inner state drives the plot. As the external obstacles are faced, so the internal follow, and the subsequent choices made by the protagonist propel the story and character toward the epiphany. Our ability to comprehend the epiphany determines solely on this ability to follow the character’s continuous internal process from the beginning with each obstacle faced. With such a focus on character, it may appear at times that Joyce’s focus on plot is obscured, but without use of his specific manner of external events revealing character and character choices subsequently driving plot, the story dependent on epiphany at the end would utterly fail. Joyce gives us a well-devised map, and we are never lost.