Good thesis fonts

Plantin's collection of original Garamond punches and matrices survives at the Plantin-Moretus Museum in Antwerp, together with many other typefaces collected by Plantin from other typefounders of the period. [56] The collection has been used extensively for research, for example by historians Harry Carter and Hendrik Vervliet. [57] Carter's son Matthew would later describe his research as helping to demonstrate "that the finest collection of printing types made in typography's golden age was in perfect condition (some muddle aside) [along with] Plantin's accounts and inventories which names the cutters of his types." [58] Plantin also commissioned punchcutter Robert Granjon to create alternate characters for three Garamond fonts with shortened ascenders and descenders to allow tighter linespacing. [59]

Always allow at least one extra line of space above subheadings, and preferably below as well. Without this extra space, it is sometimes difficult to distinguish headings from text. A heading must never appear alone at the bottom of a page (a “widow”) without at least two lines of text under it. Also keep in mind the conventional wisdom that a unit cannot be divided into a single part, or “you can’t have an A without a B.” If you have only one second-level heading under a given first-level heading, you should probably incorporate it into the text or, if subdivision is really called for, create another second-level heading. Addition- ally, if you have only one appendix, call it simply Appendix, not Appendix A.

Good thesis fonts

good thesis fonts

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