Wordsworth essays

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  • William : October 26, 2017

    The third and most important use of shock occurs on lines 9 and 10. Wordsworth's speaker says, "I'd rather be / A Pagan suckled in a creed outworn" (Wordsworth 9-10). This line represents both uses of shock. The thought of anything being more important to a person than his religion was very shocking to most people of his time. This statement is used to grab the reader's attention because it makes them wonder what on earth could be more important than religion. This leads into what is saying on the next line and also makes his audience pay more attention when he answers this question by saying:

    An Evening Walk (1793)
    Descriptive Sketches (1793)
    Borders (1795)
    Lines Written Above Tintern Abbey (1798)
    Lyrical Ballads (J. & A. Arch, 1798)
    Upon Westminster Bridge (1801)
    Intimations of Immortality (1806)
    Miscellaneous Sonnets (1807)
    Poems I-II (1807)
    The Excursion (1814)
    The White Doe of Rylstone (1815)
    Peter Bell (1819)
    The Waggoner (1819)
    The River Duddon (1820)
    Ecclesiastical Sketches (1822)
    Memorials of a Tour of the Continent (1822)
    Yarrow Revisited (1835)
    The Prelude Or Growth of a Poet's Mind (Edward Moxon, 1850)
    The Recluse (1888)
    The Poetical Works (1949)
    Selected Poems (1959)
    Complete Poetical Works (1971)
    Poems (1977)

    Burkett, Andrew. "Wordsworthian Chance." Writes Burkett, "First-generation Romantic poets generally hold a deeply rooted faith in the notion of the limitless nature of possibility, and in reaction to Enlightenment determinism, several of these poets strive for an understanding and representation of nature that is divorced from Enlightenment notions of causality. This essay specifically explores William Wordsworth's poetic denunciation of such deterministic accounts of causality through an investigation of [ The Prelude ]." Romanticism and Victorianism on the Net 54 (2009).

    Wordsworth essays

    wordsworth essays

    Burkett, Andrew. "Wordsworthian Chance." Writes Burkett, "First-generation Romantic poets generally hold a deeply rooted faith in the notion of the limitless nature of possibility, and in reaction to Enlightenment determinism, several of these poets strive for an understanding and representation of nature that is divorced from Enlightenment notions of causality. This essay specifically explores William Wordsworth's poetic denunciation of such deterministic accounts of causality through an investigation of [ The Prelude ]." Romanticism and Victorianism on the Net 54 (2009).

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